|By (author):||Atkins, Jeannine|
|Subject:||JUVENILE NONFICTION / Biography & Autobiography / General|
|YOUNG ADULT FICTION / Biographical|
|YOUNG ADULT FICTION / Diversity & Multicultural|
|YOUNG ADULT FICTION / Novels in Verse|
|Publisher:||Atheneum Books for Young Readers|
|Size:||8.25in x 5.50in x 0.50in|
|From The Publisher*||From critically acclaimed author Jeannine Atkins comes a "memorable, poetic tale" (Kirkus Reviews, starred review) about a half Native American, half African American sculptor working in the years following the Civil War.|
A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African-Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor.
But the historical record is very thin. The open questions about Edmonia's life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.
|Review Quote*||* "From sparse historical records, Atkins creates a memorable, poetic tale that offers a fictional account of what life may have been like for Edmonia. . . . A fascinating, tantalizing glimpse."|
|Review Quote*||* "So much mystery surrounds the life of once-celebrated Ojibwe and African Haitian sculptor Edmonia Lewis, it's a wonder novelist Atkins managed to piece together a cohesive narrative, much less such a splendid one. . . . How this brave, driven young woman overcame prejudice and trauma to pursue her artistic calling to the highest level . . . is a story that warrants such artful retelling."|
|Review Quote*||"Written with sensitivity and grace, this compelling title of injustice and vindication will leave readers pondering the complicated relationship between pain and art."|
|Review Quote*||"A good purchase for [those] looking for more diverse materials, especially those featuring women artists and people of color."|
|Biographical Note||Jeannine Atkins is the author of several books for young readers about courageous women, including Stone Mirrors: The Sculpture and Silence of Edmonia Lewis; Finding Wonders: Three Girls Who Changed Science; and the highly praised Borrowed Names: Poems About Laura Ingalls Wilder, Madam C. J. Walker, Marie Curie, and Their Daughters. Jeannine teaches children's literature at the University of Massachusetts–Amherst and writing at Simmons College. She lives in western Massachusetts. Visit her at JeannineAtkins.com.|
Ekua Holmes is a fine artist whose work explores themes of family, relationships, hope, and faith. The first children's book she illustrated is Carole Boston Weatherford's Voice of Freedom: Fannie Lou Hamer, which was a Caldecott Honor Book and a Robert F. Sibert Honor Book and for which she also won the John Steptoe New Talent Illustrator Award. Ekua Holmes lives in Boston.