Proust's Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siecle Paris

Category: Book
By (author): Weber, Caroline
  HISTORY / Europe / France
  LITERARY CRITICISM / European / French
Publisher: Alfred A. Knopf
Published: May 2018
Format: Book-hardcover
Pages: 736
Size: 9.53in x 6.51in x 1.61in
Our Price:
$ 47.75
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Additional Notes

From The Publisher*From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes.

Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Review Quote*"The great strength of this literary history from Weber lies in its sheer accumulation of detail, which paints a granular picture of the ultra-wealthy milieu that provided the subject matter for Marcel Proust's À la recherche du temps perdu...Weber reveals the darker side of a culture that contributed little to the larger society while spending lavishly on its own whims...The final impression is one of a topical warning against the accumulation of vast wealth for its own sake. Readers will be impressed when they reach the end of this lengthy book, nearly every page of which offers factual riches, served up with precise and witty prose."
-Publishers Weekly 
"A captivating triple biography…Focusing on three alluring women who were objects of Proust's fascination, Weber portrays in rich detail a French aristocracy threatened by profound social and political change…Weber offers intimate details of their love affairs, betrayals, friendships, and rivalries; their worries over money and status…She recounts vividly the plush ambience, dress, and décor of their châteaux and palaces as well as the parties and salons peopled by royalty, artists, and writers who mesmerized the young, aspiring, impressionable Proust. A palpable, engrossing portrait of three extraordinary women and their tempestuous, fragile world."
-Kirkus Reviews (starred review)
"Thanks to her astonishing, prize-worthy research, Caroline Weber knows more about the three real women Proust modelled the Duchesse de Guermantes on than the mythologizing Proust himself did. This is social history at its best."
-Edmund White, author of Marcel Proust: A Life.
"A necessary companion for lovers of Proust's vast melancholy vision, Weber's equally vast social history explores the late 19th Parisian 'monde' of salons and masked balls, lit by the meticulous, mad obsession of its most elite residents to hold all the forces of the modern world at bay."
-Tom Reiss, author of The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo
"This delicious feast of a book combines narrative flair, literary scholarship, original new material, a sharp, flamboyant eye for society and literature high and low, a style as elegant and playful as its subjects-three remarkable women in late 19th Century Paris who are accompanied onstage by a cast of writers, from Proust to Maupassant,  princes,  actresses, politicians, journalists, artists,  courtesans,  to create a superb, original  and irresistible study of a time and a place and the great art it created."
-Simon Sebag Montefiore, author of The Romanovs and The Moscow Trilogy of Novels
"Better than Proust."
-Cécile David-Weill, author of The Suitors and Crush
Biographical NoteCAROLINE WEBER is a professor of French and Comparative Literature at Barnard College, Columbia University; she has also taught at the University of Pennsylvania and Princeton. She is the author of Queen of Fashion: What Marie-Antoinette Wore to the Revolution (2006) She has written for The New York Times, The New York Times Book Review, Financial Times, London Review of Books, The Wall Street Journal, and New York magazine. She lives in New York City.